Shape-shifter, musical genius, cultural catalyst. David Bowie was all of these and more – and another two-word phrase should be added to the list: avid reader. By his own account, he went through three or four books per week.
Bowie’s insatiable curiosity extended far beyond the realm of music, and literature played a huge part in defining his intellectual world. He borrowed the cut-up technique devised by Brion Gysin and William Burroughs to write lyrics, name-checked Edward Bulwer-Lytton’s The Coming Race in Oh You Pretty Things and referenced the Nadsat language used in Anthony Burgess’ A Clockwork Orange in his towering final achievement, Blackstar.
He liked a literary joke too – The Jean Genie is a nod to Jean Genet and his aborted plan for a stage version of George Orwell’s 1984 gave rise to a US TV special titled The 1980 Floor Show.
Bowie claimed to be unable to throw a book away, and by the time he starred in 1976’s The Man Who Fell To Earth, he had already amassed 400, which he took with him to filming in Mexico. He told an interviewer: “I was dead scared of leaving them in New York, because I was knocking around with some dodgy people and I didn’t want them nicking any of my books. I had these cabinets – it was a traveling library – and they were rather like the boxes that amplifiers get packed up in…because of that period, I have an extraordinarily good collection of books.”
Later, he said of his collection: “Some of them are in warehouses. I’ve got a library that I keep the ones I really really like. I look around my library some nights and I do these terrible things to myself – I count up the books and think, how long I might have to live and think, ‘Fuck, I can’t read two-thirds of these books.’ It overwhelms me with sadness.”
In 2011, when five years was all he had got left, Bowie had whittled his list of favourites down to 100 – though three of them are comics and one is a satirical magazine – for the David Bowie Is.. exhibit at the Victoria and Albert Museum in London. Some of his collection was displayed in the kind of flight cases Bowie used in the 1970s.
Creating the list was a deeply personal endeavour for Bowie. The list spans various genres, from classic literature to avant-garde works, reflecting his broad appreciation for different forms of artistic expression.
The list features a captivating array of titles that provide a window into Bowie’s mind. From George Orwell’s dystopian masterpiece 1984 to Vladimir Nabokov’s controversial Lolita, the selections showcase his willingness to engage with thought-provoking and challenging narratives. Here’s the full list of Bowie’s favourite books:
- Interviews With Francis Bacon by David Sylvester
- Billy Liar by Keith Waterhouse
- Room At The Top by John Braine
- On Having No Head by Douglass Harding
- Kafka Was The Rage by Anatole Broyard
- A Clockwork Orange by Anthony Burgess
- Of Night by John Rechy
- The Brief Wondrous Life Of Oscar Wao by Junot Diaz
- Madame Bovary by Gustave Flaubert
- Iliad by Homer
- As I Lay Dying by William Faulkner
- Tadanori Yokoo by Tadanori Yokoo
- Berlin Alexanderplatz by Alfred Döblin
- Inside The Whale And Other Essays by George Orwell
- Norris Changes Trains by Christopher Isherwood
- Halls Dictionary Of Subjects And Symbols In Art by James A. Hall
- David Bomberg by Richard Cork
- Blast by Wyndham Lewis
- Passing by Nella Larson
- Beyond The Brillo Box by Arthur C. Danto
- The Origin Of Consciousness In The Breakdown Of The Bicameral Mind by Julian Jaynes
- In Bluebeard’s Castle by George Steiner
- Hawksmoor by Peter Ackroyd
- The Divided Self by R. D. Laing
- The Stranger by Albert Camus
- Infants Of The Spring by Wallace Thurman
- The Quest For Christa T by Christa Wolf
- The Songlines by Bruce Chatwin
- Nights At The Circus by Angela Carter
- The Master And Margarita by Mikhail Bulgakov
- The Prime Of Miss Jean Brodie by Muriel Spark
- Lolita by Vladimir Nabokov
- Herzog by Saul Bellow
- Puckoon by Spike Milligan
- Black Boy by Richard Wright
- The Great Gatsby by F. Scott Fitzgerald
- The Sailor Who Fell From Grace With The Sea by Yukio Mishima
- Darkness At Noon by Arthur Koestler
- The Waste Land by T. S. Elliot
- McTeague by Frank Norris
- Money by Martin Amis
- The Outsider by Colin Wilson
- Strange People by Frank Edwards
- English Journey by J. B. Priestley
- A Confederacy Of Dunces by John Kennedy Toole
- The Day Of The Locust by Nathanael West
- 1984 by George Orwell
- The Life And Times Of Little Richard by Charles White
- Awopbopaloobop Alopbamboom: The Golden Age of Rock by Nik Cohn
- Mystery Train by Greil Marcus
- Beano comic
- Raw comic
- White Noise by Don DeLillo
- Sweet Soul Music: Rhythm And Blues And The Southern Dream Of Freedom by Peter Guralnick
- Silence: Lectures And Writing by John Cage
- Writers At Work: The Paris Review Interviews edited by Malcolm Cowley
- The Sound Of The City: The Rise Of Rock And Roll by Charlie Gillette
- Octobriana And The Russian Underground by Peter Sadecky
- The Street by Ann Petry
- Wonder Boys by Michael Chabon
- Last Exit To Brooklyn by Hubert Selby, Jr.
- A People’s History Of The United States by Howard Zinn
- The Age Of American Unreason by Susan Jacoby
- Metropolitan Life by Fran Lebowitz
- The Coast Of Utopia by Tom Stoppard
- The Bridge by Hart Crane
- All The Emperor’s Horses by David Kidd
- Fingersmith by Sarah Waters
- Earthly Powers by Anthony Burgess
- The 42nd Parallel by John Dos Passos
- Tales Of Beatnik Glory by Ed Saunders
- The Bird Artist by Howard Norman
- Nowhere To Run The Story Of Soul Music by Gerri Hirshey
- Before The Deluge by Otto Friedrich
- Sexual Personae: Art And Decadence From Nefertiti To Emily Dickinson by Camille Paglia
- The American Way Of Death by Jessica Mitford
- In Cold Blood by Truman Capote
- Lady Lover by D. H. Lawrence
- Teenage by Jon Savage
- Vile Bodies by Evelyn Waugh
- The Hidden Persuaders by Vance Packard
- The Fire Next Time by James Baldwin
- Viz Comic
- Private Eye magazine
- Selected Poems by Frank O’Hara
- The Trial Of Henry Kissinger by Christopher Hitchens
- Flaubert’s Parrot by Julian Barnes
- Maldoror by Comte de Lautréamont
- On The Road by Jack Kerouac
- Wilson’s Cabinet of Wonder by Lawrence Weschler
- Zanoni by Edward Bulwer-Lytton
- Transcendental Magic, Its Doctrine and Ritual by Eliphas Lévi
- The Gnostic Gospels by Elaine Pagels
- The Leopard by Giuseppe Di Lampedusa
- Inferno by Dante Alighieri
- A Grave For A Dolphin by Alberto Denti di Pirajno
- The Insult by Rupert Thomson
- In Between The Sheets by Ian McEwan
- A People’s Tragedy by Orlando Figes
- Journey Into The Whirlwind by Eugenia Ginzburg